President Donald Trump attended the opening night of “Les Misérables” at the John F. Kennedy Center for the Performing Arts, despite his controversial takeover of the venue earlier this year. The move led to artist cancellations and potential boycotts by some cast members. Trump, a self-proclaimed fan of musical theater, praised the show, oblivious to the irony of his presence given his actions at the Kennedy Center.

“Les Misérables” is a musical based on Victor Hugo’s novel, following the story of Jean Valjean’s quest for redemption during the French revolution. Interestingly, Trump expressed uncertainty about whether he identified more with Valjean, the protagonist seeking redemption, or Javert, the relentless law enforcer. This uncertainty is juxtaposed against his administration’s handling of protests and crackdowns on dissent.

The article highlights the irony of Trump’s attendance at a musical centered on themes of revolution and redemption, considering his divisive policies and actions. It questions whether Trump truly understands the messages of “Les Mis” and suggests that his authoritarian tendencies align more with Javert than the heroic Valjean. The piece underscores the role of art in challenging authority and emphasizes the importance of recognizing one’s alignment with power structures. Ultimately, it raises thought-provoking questions about Trump’s self-perception and his actions in relation to the narratives presented in “Les Misérables.”